Monday, April 22, 2019

uNIT 11

Draft: for live lighting programmer

-prepare your attentions for the show/gig
-ask for the genre and theme
  if the theme for example pop then the lights need to show the genre and what affects your trying to cause
- if the theme changes throughout the performance?
-what the directer is trying to highlight?
 for example if the director is trying to show a specific action or senaro then we could use lighting to symbolize this.
-what colors are being used this can affect the theme and setting of a scene
-if any on stage actions will effect the lighting for example different instruments being used.
- what the song will be played and if any lighting is needed so the musicians can read there music ect.

-what fixtures will be used for specific lighting affect
 you can use different size edges of a fixture to show different effects
 you wouldn't use a profile for a wide and soft wash as a profile is normally a firm and harsh light to highlight specific objects.

-what height the fixtures are positioned
 the height of fixtures can change a scene or song dramatically
 for example if you have small up lighters for a rock and role song it doesn't give you the effect you wanted but up lighters for a slow and calm song would work really well.
- if moving lights or effects will be used.
 effects can change a mood and theme as well
 if your effect is set to bpm it can add a good flow to a song as long as the correct fixture is used.
- when using movers you have to take into consideration of tracking and the speed in which they move.
 if tracking is on the it can make the scene feel stiff and fixed as its very rigid but if it disabled then the scene can feel smooth.
this changes through for the genre of the song and the pace, as tracking on a quick song can look really good as it can carry the flow of the song and keep it linked throughout.

-will visual effects be used.
 visual effects could be lazers or hase for example,
these add a great effect once again to the correct song and mood.
hase machines can add a setting idea to a song
it can make it feel cold with a cold blue wash pushed through it
but it can also be made to look like humidity which can add a great effect.

The difference between a professional lighting programmer and a amateur. the main difference is experience and knowledge on the feild, for example with alot more experience you may have quicker ways to finish tasks to save time, with a amateur they may have to do everything by the books which will take time.

this is key when working in a professional company they wont hold your hand, you have to learn on the job and quickly.








What are the advantaged to using intelgent lighting  in a music gig??

The history of moving lights in music gigs:
The first ficture that wqs introduced with motors was made in 1925 by herbet f king in USA, this fixture had an electric motor build into the rear end of the fixture, by 1936 the fixturers were able to pan and tilt using indurviaul joy sticks. This was a huge acumplihment in the industy.

There are many advangages to using moving lights in music gigs, the capabity of being able to move a beam of light anywhere and quickly can bring great affects and style to a gig, before moving lights were invented a gig would consist of gentric lights normaly frenels or parcans to cover the stage, this would be very basic as there wouldn’t be any fixtures moving but only the intencity was being changed.

The moving lights could add effects to a gig for example highlight indurstional instruments or objects using one specific fixture rather than an indurviausl for each spot, this was really helpful as it would make rigging up the stage a lot quicker.

When moving lights were beginning to be introduced to the industry they were exspencive and slightly annoying to operaters as each and every mover had a different joy stick, this meant that a different control cable was run along the rig, this resulted in more time. The moving light had many peole not liking it due to more work and a lot more fidderly to manover and opereate as it had to be looked after a lot more carefully than genric fixtures. This was a huge dislike of them as many workers didn’t like the responibley of looking after them.

Another aspect of intelagnt lighting are the led fixtures, these are a lot newer than moving lights, these in my opinion are one of the greatest inventions In the industry, there great because they save a tremendous about of power and preduce less heat, in the early days of indoor theatre and still to this day without venterlation theatres got very very hot because of the hot lamps being on.

Leds can be used in many ways to add great affects and colours to a gig, leds are my prefured use of fixture for many reasons, they preduce a very very little about of heat and the intencity and colour can be changed so quickly yet smoothly there great for improvised lighting states and effects, during a gig fixtures that move and change intencity along with the music are thebest way to hype the atmosphere in a room, this is why intelagent lighting is the preferred option.

As I have already said led fixtures can change intencity very quickly without a problem but genttric lights would sruggle after a period time as they have lamps, a tradtinal lamp for frenels and some profiles are T26-26 these are haligon lamps which means they produce a lot heat like your bulbs at home but a lot hotter, these lamps don’t last a logn period of time if they are changed in intencity a lot and quickly in a small space of time, if you turned your bulb in your room on off on off it would eventruly break or shatter, this is the saem as gentric lamps, this is another example of why new and intelagagent lighting is better for quick and sudden performance as replacing and maintaining the genetric lights is costly and time comsuming.

A reason why intelgent lighting wouldn’t be used in a live gig could be the budget for the show, hiring or buying moving lights can cost depending on length of hire and series of movers and may need someone with exsperiecne and knowledge of the fixture, LED’s on the other hand are cheaper to hire and don’t require a lot of knowledge to set up.

If  the budget for the show is low then other tricks of the trade may be used for example a chase effect can make fixrures look like there moving, this is a newish effect that comes with any new lighting console, the downside to this is that you would have to hire more fixtures and that can also be costly. The other factors are weight, moving lights way a lot more than a single LED, most movers will be the same weight as as many as 5 LED’S combined, In some theatres and venues there are weight limints depending on how they rig the fixates, for example if there are 2 x 500kg lighting bars for the fixtures to be attached to this will limit the amount of fixtures that are able to fit on the rig, this can effect some shows as they may need to think of otherwise to get the same effect but with out using so many fixtures.

https://www.britannica.com/art/stagecraft/Stage-lighting
















Unit 11 Draft:
The advantages and disadvantages of using intelligent lighting in productions:


This is a broad subject so I decided to focus on live lighting at events?
Live lighting events was still to very broad to I narrowed it down to
Pros and cons:



Health and safety:

-Weight
-

Pros:


-Overlap period
Less maintenance
Can be waterproof
Easier to transport (timeline of flight cases)
More energy effect
-very little heat produced
-less power needed
-more robust (less replacement)


More customizable (colour wheel no gels needed)   SPECS: of each different fixture
They can produce a clear and less misty light beam
Some don’t have lens (can’t be broken)
Mimerable bleeding                                                     
Take up less space
Larger range of fixtures avaible
Can be wirelessly controlled

Cons:
Cost short term (by out)
Have to have some knowledge of setting up and operating
Hard to repair
Faults normal occur when human error
Doesn’t work with older equipment
Require non dimmer power
Wireless interference

Interview Steve Collis

The pros and cons of using intelligent lighting in live lighting events?


Intro Paragraph
·         Before intelligent lighting
- Generic lighting
- Dimmer
- a lot of maintenance
·         Before digital lighting consoles


Body:
·         Intelligent lighting Is more beneficial in lighting design and live events and energy saving than generic lighting.
·         Expand on pros and cons


Conclusions:
·         Why was intelenet lighting helpful and used well in our unit 12



Tom Pegrum Unit 11

   
F    for my unit 11 I have chosen to look into why LED fixtures are more beneficial on live events, my question is what are the advantages and disadvantages to using leds on live events?
      There are many pros to using leds at live and temporary events, when using leds there is less heat provided after a long or short time of use, this is because of the power used. Leds are a non-dimmer fixture this means that they need constant and non-fluctuating power feed o work and are there intensity and other profiles are controlled via dmx, this is a huge pro for the use of leds as it will reduce the amount of heat energy wasted when they are in use.
      When using leds at a live event and not needing to worry about positioning the leds away from any flammable materials is great as its another thing that doesn’t need to be worried about which results in a more practical fixture. This is helpful at events because a lot of time can be wasted when positioning fixtures and the less variables that are needed to worry about the better.
      Leds are also a lot more maintenance free, this is because there aren’t anywhere near as many variables when using them, a generic fixture isn’t waterproof so you would need to worry if one got wet for a long period of time but an led can be, depending on which led type you get they can either be waterproof or not, this is really helpful because when at an event an led fixture can be put outside to highlight a sign or something else and no worry is needed because its water proof.


     















Leds are not like normal generic fixtures because instead of having a lamp produce the light there are leds instead, this is a huge pro to an led as leds are nowhere near as likely to break or fail compared to the old halogen lamps, this is good when it comes to maintenance as you wouldn’t need to maintain the lamps and its another factor not to worry about. This is a huge help because at events which are 99% some distance from your warehouse if a generic light breaks it’s a pain and may require tools or spare parts that you may not have with you but with an led there is a lot less chance of damage or faulty equipment that hasn’t been caused by a person in which case it  should have been checked beforehand, this once again helps on live events because leds are less likely to break.https://genericoep.com/product-category/meat-racks/

Leds are also a lot easier to transport to some extent, with generic fixtures transport would have either been a few fixtures pushed into a large flight case or a dozen fixtures hung on a meet rack, both take up a lot of space and some care is needed to make sure no damages occur.
On the other hand, leds can be transported in custom flight case, most led fixtures can be brought with a flight case to optimize transport and storage, you could customize an original flight case to transport and store old generic fixtures but they are a lot bigger and awkward shapes. The use of having flight cases that are specifically made to store leds are great because its quick and easy to find the correct flight case with the fixture in it and stored is easy.

Another pro to using leds is weight, most generic lights weigh more than leds because of a few factors, this can play a huge part when it comes to flying fixtures on truss or stands, when using truss someone must calculate the weight of what they are planning on hanging but also work out the load or the truss, in many cases the weight of all the fixtures is below the max the truss can take but at large events for example festivals weight is key as balance is effected by weight and so are many other things, leds are the prefers use when using truss and a single feed of power is needed rather than lots of induvial feeds to control the intensity only adding weight in its self and because leds are new they tend to be safer as well. (http://www.theatrecrafts.com/pages/home/topics/lighting/lighting-rigging-positions/)
Leds are also a lot more cost effective in the long term, an led currently can retail from about 300 to 600 ( https://www.thomann.de/gb/profile_spotlights.html?pg=2&ls=25 ) that’s a lot of money striahg out but as they have a long life exspeticy of about 15 years they are cheap if they last that long, but a generic fixture has a lot shorter life spam but are cheaper. This will change through as in 2020 the EU are wanting to bring a law and regualtions in that prevent the use of old gentricl ights because of there energy officacity, this will hopefully lower the retail price of leds as they will be on demand a lot more than currently, it will also cause casos for less finalcialy stable companies and schools ect. https://www.thestage.co.uk/news/2018/theatres-exempt-devastating-eu-lighting-rules/

The other pros to using leds are that they are more customizable for example they can have extra addons like gobos leans ect, with genetric lights there isn’t a colour will or a gobo wheel or shutter, this is a huge pro for leds as its time comsuming changing gels and adding gobos ect,.


On the other hand there are a few disadvanges to having leds, short term the outright prices are a lot compared to genetric fixtures, for smaller companys this could be a big deal espesualy with the new EU law being introduced. They are also hard to repair yourself

Unit 10

Even through i am not planning on going to uni once i have left college i am still having a look at Apprenticeships, i have looked into different subjects that are in the direction i might consider.

I don't want to go to uni at the moment as i struggle to write and learn in a classroom, i learn a lot quicker in the field and working with the equipment, for this reason i have looked into apprenticeships a this is a lot more suited to me.

I have looked on WhatUni.com, this website was suggested by my college as a great resource to find the best courses quickly.

The apprenticeships i have looked for are as followed:
-Live Sound
-Production Lighting
-Lighting the theatre
-Production Sound

I have choose not to pursue further education as I am a lot more practical that academic, I have been working for a few years part time at several different companies, I began working and KI sound and light in the summer of 2016, did some paid and work experience at KI which was a great learning point and gave me knowledge about equipment I would never of normal used.

I have also work at an events company in Chessington called Clownfish Events, this is a very young and fast working company, i am still working there currently and have been offered alot more regular work there once i leave college, this is one of the many reasons why i have choose to work as i have been given opportunities to work in the industry i have been studying.

i also work part time at Great Baddow High School as an IT and media technician, this evolves me maintaining equipment and teaching student about different techniques in lighting and filming a video, this is a great job as i feel the industry is heading towards more IT and network basses so having the opportunity to learn more about IT at an industry level is great. they have offered me a level 3 apprenticeship at Baddow next near involving becoming Microsoft trained and a lot more knowledge in ciber security. i have yet made my mind up on this offer as I don't want to loose the skills and talent u have already.

The apprenticeship will result in me becoming a full time member of staff at gbhs but will result in going on a ginkle week training course each month instead of once a week, we choose this as I can consionstrate more on my work for a solid week rather than for a single day. I have chosen to do this apprentaship as it will grow my knowledge to a different industry but it will also help me with the technical side of things as well as both industries are very similar, I liked this apprentship as I became Microsoft trained  which is a great gold star.

IT and network lay very well into each other along with lighting sound and visual effects, I see this as a great opportunity.

Unit 9

week 1- rewiring and patching our theatre:
our teacher wanted the theatre to a more simpler and basic setup, she decided to make this our unit 9 for improving our skills. we sat down and went through what she wanted and the layout which we were gonna use.
after some planning on what we were going to do, we had decided that we could go for a basic setup using generic lights for most of the states and using the movers to add extra and more detail to states.
when we were planning the layout we discussed which movers and the position of the movers, this took a long time as we had 3 different types of movers and each did something better or worse than the others. we chose to do a 3-2-2 position in the rig, we chose this because this left us with 2 overs for down stairs which could be used for gigs if needed.

we drew out a plan and worked out which light would plug into a specific socket, this took some time as i wanted it to be as simple as possible, we have 144 16a sockets in our rig and that consists of 20 non dimmers which we will use for the movers.

we started of by redoing the stage front lights, which consisted of 12 flat profiles and 4 side profiles to give an even cover, whilst rearranging these lights we were testing each light for damage and giving them a little clean if they were really bad.

we also lowered 3 unibars and rearranged and cabled the bars to the plan we had discussed, whist doing this i decided to design and make the magic sheet of the etc GIO offline version for PC, i wanted to do this as it would be more helpful later on in case i didn't have access to the desk. as i had done this at home it was a lot quicker rigging as we weren't changing the magic sheet as we went, i also learnt how to patch and make macros on the PC version of the desk, this was so helpful as our previous

we then reassigned the mover to a different address so that it made more sense and was easier to understand for students learning. I then recorded some macros on the desk to make recording cues and states quicker as the more common cues where macros. I did this by using the following code [learn] [macro] [805] [1 thru 20] [@ full] [Enter] [learn] this is the code for recording a macro with a basic lighting state at full.

I then began to organize the use of the macros, i tried to make group macros bit found out that our console didn't have this and that it is easier to make groups, i then recorded groups for all the basic lighting states and affects to make programming quicker.

I then started on sorting out the addressing and positioning of the LED, the LED,S were set to 6 channel mode so i choose to set them 10 DMX channels apart to give us some lee way and to keep them apart from the movers. our lighting console didn't have the correct profiles for our LED'S so i found another led which was almost the same, this was a pain as it was alot of playing around.

Mandy:
In this lesson we have began to look at affects for our performance of the Christmas carol, we have been asked to arrange a way of having snow fall at a specific point and for and a lotion of a ghost. we research any previous ways of doing these affects and found a few.

for the snow we had the idea of hiring a fake snow machine but were quickly told that we didn't have the money to hire anything in, we then looked at using wired mesh and a cradle to hold fake snow, this was out first idea but we quickly realized that this was unpractical and wouldn't give the effect we wanted.

ROH:

For the design challenged i choose to to set design as i believe that this will show my skills.

I began looking into the time period of romeo and Juliet, i was looking as the scenery, location and what materials were used in building and art wear. Once I had done some research it gave me a few ideas and layout of my set, I realized that many traditional houses and locations would have a court yard in the centre of the housing complex or in the centre of a village, as the set would be used in the theatre and sight lines are key I began to come to conclusion that a court yard layout would work well. I also noticed that many of the houses were made from several different types of stone but the majority were limestone. They also had been changed and added on when the Romans had power, this made it hard to fined a entire building that hadn't been changed or modified.

I made a mood board with some key information about the different types of stone used in there houses and walls.





I have come up with a few designs that fit well with the design idea i have chosen,i quickly realized that my design would need to be built strong and smooth at it had alot of curves and flat surfaces to it, i wanted to keep my design plan but still be interesting so that the focus was on the ballet and not the set. I wanted to site views to be good as well as i know in ballet viewing all angles of the dancing is crucial.

i began to work out slightly more the details of each of my designs to help me choose which one i preferred, once i had done this i had quickly chosen my final design.from this i began to research various ways of building the set and what textures i wanted, i choose to use the lazer cutter to my advantage as it is precise and very customizability, i researched and tried several tests of lazer cutting texture into the material i was using and it looks great, it would make the set more realistic and would be alot quicker to make.



I then lazer cut the larger sheet using 4mm MDF (medium density fibre)


Christmas Carol:

For the Christmas Carol we were told that we were mentoring the first year students by helping them arrange their roles and then assisting them in the technical side of things as well.

I was put in charge of Adam, he was operating the lighting, sound and visuals side of the show. I made it clear to the director and other people that I thought it was unfair on Adam to do all these roles as he has only just started learning all the equipment as has very little experience in doing theatre shows, but my opinion wasn't taken on board.

However I carried on helping Adam, I showed him how to use the Mac Martin 700 and Mac Martin 250. The 700's have a bigger capability and a higher amount of fixture functions that the 250, I chose to do this so he could get his head around the more complex fixture first.


I then began to explain how internal patching worked on the lighting console, as this was used for the moving heads, I had already re-patched and DMX addressed the movers several times but chose to show him as a good learning point. He was glad as it developed his skills.

During the re-patching I began to think of good ideas on how to cover the front of the 5m x 4m portable stage, a teacher suggested using large white boxers to cover the front, I then decided that having a slow smooth fog machine in each corner and then a single back fixture with each fog machine would give a great affects, I chose a fog machine as we could use it to show snow and cold weather in specific scenes.

                                   PICTURE OF THE HAZE AND FRONT FACING FIXTURE

Adam and I then were given the task on making a fire effect, we chose to do this with fixtures pointing onto our backdrop behind the stage, we would put different colour gels on the tinkers to give a fire effect and angle then to form a triangle. the reason I use the large steel base plates was so that the fixtures wouldn't melt or damage the floor, these fixtures pointing forward where to give the stage a ghosty effect but also a cold and moody feel, this idea worked very well with the haze machines as it gave the look of fog rather than haze, the lighting programmer also used them as face looking blinders th bid the audience at specific times to give an even greater effect, there were a few problems  with this idea, for example the amount of cable that was run was a pain as each front facing fixture needed an indurvaisl power feed so that we were able to control the intensity indurvisualy, the haze machined need non dimmer power which was ok as we could run a single feed of power and then use a homemade 16a  splitter to that we didn't need to run unessary power.

if I was to do this again I would have run two socapex feeds and then use tales, this would have been great as this is a single cable rather than lots of indurvisal ones.

                                         PICTURE OF TINKERS BEFORE AND AFTER

To do this we had to run 16AMP to each fixture this was a total of 9 separate power feeds, 6 for tinkers, 2 for the front facing fixtures and a single for the fog machine, my original plan was to use a 10m soca-pex with 16AMP tails on either end to save running tones of individual cables.




                                                PICTURE OF SOCA-PEX AND 16A TAILS
Image result for socapex and 16 add ons



However we didn't have any available so had to op for individual feeds. This took some thinking as 9 x 8mm cable would leave a large obstetrical running over the floor, the route in which we had to take would result in it running straight in front of a well used door. to the much anger of my teacher I chose to use the underfloor cable runs, these were great as they ran to each and every junction box in our theatre. along with the 16A i also ran a single 5pin DMX cable so that we could control the fog machines using DMX patching and macros.




                                                      PICTURE OR JUNCTION BOX


During all of this we had a large problem with 16A sockets in out junction boxes not working, we were getting a live feed but when put to 100% intensity we wouldn't get feed, to resolve this i checked the dimmers to make sure none had tripped and that everything looked correct. we then called an electrician in the have a look, he confirmed there was nothing wrong with the junction box and that it must have been our dimmers.

these gantries along the floor are great when you are running a lot of long cables as they can be hidden under the floor which is safe and easier to clean up, the only annoying thing is that they are not always that excusable and in some locations they have been screwed down or covered up by carpet or other objects.




                                                         PICTURE OF DIMMER RACK


Because of this i then payed my attention to the dimmers, i checked to see if there was an error message on our control module which there wasn't and then it was down to checking the 2 channel dimmer module.

our larger Dimmer rack has a total of 49 dimmer modules but a total of 98 indurvsial dimmer breakers, this is a 3 phase dimmer rock with the master controller in the centre, this converts dmx to an indurvsial dimmer module, this is the heart to the dimmer racks, when we had the problem on specific sockets not being able to be controlled over dmx we suspected that this control module could be faulty, is so this would have been a huge cost and time consuming proses as there is also an interning patch built into the dimmer racks.






To do this i removed a module that had two sockets not working and swapped it for a module with two sockets working, unfortunately this didn't fix the problem.

each module is an indurvisual break for each 16a socket located in the theatre, the reason this is a great design is that it keeps the fixtures safe from a power surge but also means that the breaker will trip rather than exploding a lamp or damaging a fixture.



         


Snow Effect for Christmas carol:


-Confetti Cannon
-Tissue paper dropped from above
-Moving gobo (Mac Martin 700??)

We were asked to create a snow effect for our upcoming show which was the Christmas carol, we were each given a small budget and told to come up with the best design and solution we could with that budget, we had to take into consideration mounting the solution, the coverage of the snow and the price of it.

this is what we found:
Location: West Minister Kings way college
Budget: £10

Ideas:
confetti cannon:
-looks effective and has a large coverage when deployed.
-Can be costly if you buy out but hiring isn't to expensive
-wait if we were to hang it from the rig we would have to look into wait and mounting points
- cleaning up after being used
-

Tissue paper sidspencer:
-easy to use and maintain
- cleaning up would take a while
-Where could we dispose the tissue paper after use

Moving gobo:
Easy to use and maintain
-can be rigged in many locations
-would need to look into weight if hung from heights
-no cleaning up is needed
-easy to set up and change.

I have chosen to make a tissue paper dispenser that would hang from the unbars in our theatre, I choose this as we would have the opportunity to make it our selves which means that we can customise it and over come problems quicker, we could also make it to our needed, so for example make it out of something light in weight so we wouldn't need to worry about weight when rigging it, we would need to make it strong as we wouldn't want it falling on someone.

Creating a snow machine


https://youtu.be/g_1SAF9eiG0


We started by using a steel rule to measure out a 150mm radius semi circle out of 6ml MDF (medium density fibre). Next we then drew an inner semi circle with the radius of 130mm within the inside of the first semi circle. We then drew a 40mm radius circle on the centre point of the original circle. We also made 2 semi circles out of 4mm plybord. Then we cut out the outline using the following tools:
Bansaw
Disc sander
Gerbil sander

Next we got a 45mm by 45mm square pine wood

Then we drilled a 12mm hole in the centre at the top of the mount. After this we drilled a 10mm horizontal hole from left to right for the 
rivet










Unfortunately the wood was not strong enough and kept snapping so we will try another snow effect.
Here is a table of different effects and the pros/cons of each.


EFFECT
COST
COMPANY
PROS
CONS
OVERALL
Gobo
£25
thegobo.com
Simple to use, no tidying up, easy to position 
Won’t fully cover stage, take a light out of use
3/5
Back projection
No cost, can purchase professional images
N/A
Can be cheap, is programmable 
Can look messy
2/5
Photoshop
No cost
Photoshop 
Looks effective, is free
Needs expertise, is time consuming 
1/5
DIY Show Rig
Dependant on size 
N/A
Can be made to the correct dimensions, looks effective 
Hard to rig, needs to be controlled, can’t be stopped easily 
5/5
Snow Machine
£35-£80
Disco equipment hire 
Looks realistic, can control it and direct it
Availability, high cost, causes accidents, time consuming cleaning 
3/5
Tissue Paper
Dependant on quality
Craft shops 
Cheap 
Causes accidents, time consuming cleaning 
3/5
Confetti Machine
£120 a day
Online companies
Can control and direct it
High cost, availability 
3/5
Polystyrene Balls
Dependant on machine
Various 
Looks effective, can control and direct it
Time consuming cleaning 
3/5
Plastic Snow
£100 for 15kg
Limelight plastic snow
Looks effective, can control and direct it 
High cost 
2/5


uNIT 11

Draft: for live lighting programmer -prepare your attentions for the show/gig -ask for the genre and theme   if the theme for example po...